'John Keats when i have fears 2 Essay\r'

'John Keats’ verse form â€Å"When I stand Fears that I may cease to be” is round the poet’s contemplation of his own deathrate. When Keats woke one day cartridge holder with blood on his pillow, the doctor in him knew that cytosmear to be the mark of his own undoing by consumption. This poem is one way of dealing with that friendship by asserting that the things that seem the most main(prenominal) at the momentâ€poetic fame and issue†are genuinely nothing compared to the great wide world. The poet has fin aloney come to accept his place in the distinguished intrigue of things, so the tone shifts from questioning indecision to peaceful acquiescence.\r\nLines 1-2 discuss how the poet’s brain is make full phase of the moon with possibilityâ€ideas not yet written follow out by his pen in mounds of important booksâ€and his upkeep that he may die before he is able to reach his poetic potential. This idea is increase by the enj oyment of both imagery and initial rhyme in the first quatrain of the poem. The description of the â€Å"full-ripen’d instill” in line 4 compares his poetic resource to a metric grainery; that is, a place chock full of ripe food that will nourish the bole the way his poetry will fulfill the mind.\r\nHis use of repeated sounds in â€Å"glean’d,” â€Å"grave’d,” â€Å"garner,” â€Å"garner,” and â€Å"grain” show just how fertile his imagination force out be and raise the question of how tragic it may be if he dies before he has reached his peak. Lines 5-8 impact this contemplation of his poetry by considering the raw materials of his becomeâ€â€Å"night’s starr’d face” and â€Å" in high spirits romance” in the â€Å"huge cloudy tokens”â€in other words, Keats is seeing everything that he would render into important poetry given the time, but without that find oneself, he dissolve only mourn the loss of the possible poem that exists in his mind.\r\nHe also gives a glance as to his view of composing poetry when he claims that â€Å"the magic hand of chance” could aid him in rendering mystical nature into a poem. Keats is victimization the mystery of nature as a symbol for the mystery of his future poetry, poems that will be disconnected if he ceases to be before committing them to paper. Lines 9-12 move beyond his poetic potential to consider the possibility of slam lost in the event of his untimely death.\r\nThese lines are halting, a nod to the â€Å"faery power of unreflecting love”; it is almost as though Keats worries more over the loss of his future poetry moreso than any chance at love. Love itself is a sham here, an begin at happiness that, when compared to the power of harnessing nature, loses any real chance at success. This section is only trinity and a half lines long, not even a full quatrain, a rhythm that gives the reader a sense of rushing; this is the same quality matt-up by Keats, and it reinforces the essence of the poemâ€time is footrace out.\r\nThe repetition of the word â€Å"when” also conveys the sense of time passing; with each moment, death approaches. Yet for all of these considerations, Keats realizes in the last two and half lines that the things he seeks the most, Fame and Love, are really nothing when compared to the grand scheme of things. The image of the shore is crucial here; when compared to the ocean, Keats’ individualized struggles are meaningless, but beyond that, the shoreline represents a leaping line.\r\nJust as Keats fears crossing the lines between aliveness and death, he can come to terms with mortality when he finds himself in another in-between zone. Overall, â€Å"When I have Fears that I may cease to be” is a poem about accepting the limitations determined on one by life and time. though material gains same(p) fame or spiritual ex periences like love may seem like broad purposes for a life, Keats shows that, upon reflection, these things pale in comparison to the large issues in the world. Through the clever use of special words and rhyme schemes, Keats conveys his message using poetic techniques.\r\n'